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HBO’s The Final of Us was the massive winner throughout evening one of many seventy fifth Artistic Arts Emmy Awards ceremony, because it received eight occasions for such classes as excellent visitor actress (Storm Reid), visitor actor (Nick Offerman), image enhancing, fundamental title design, prosthetic make-up, sound enhancing, sound mixing, and visible results.
Whereas The Final of Us led the best way, FX’s The Bear, Netflix’s Wednesday, and HBO’s The White Lotus all impressed by securing a three-way tie for second place with 4 wins every.
The Bear received for excellent comedy casting, image enhancing, sound enhancing, and sound mixing. Wednesday took dwelling the awards for excellent modern costumes, modern make-up, fundamental title music, and manufacturing design. Lastly, The White Lotus claimed excellent drama casting, modern hairstyling, music supervision, and music composition for authentic rating.
Netflix’s BEEF got here in third with three Emmys, together with excellent casting for a restricted or anthology sequence or film, modern costumes, and film enhancing. Proper behind BEEF sat 4 reveals with two wins every – Daisy Jones & The Six, The Marvelous Mrs. Maisel, Ted Lasso, and Bizarre: The Al Yankovic Story.
The second evening of the Artistic Arts Emmy Awards kicks off tonight, January 7, and the primary ceremony – the seventy fifth Primetime Emmy Awards – will happen on January 15, 2024. If The Final of Us can win a minimum of one Emmy throughout the primary present, will probably be the primary live-action online game adaptation to take action. You possibly can verify the total record of Emmy nominations right here.
You possibly can take a look at the total record of winners of the primary evening of the seventy fifth Artistic Arts Emmy Awards beneath, and likewise make sure to take a look at our evaluation of Season 1 of The Final of Us and see what beat The Final of Us as our greatest present of 2023.
The seventy fifth Artistic Arts Emmy Awards Winners: The Full Listing
Excellent Visitor Actor in a Comedy Sequence – Sam Richardson as Edwin Akufo (Ted Lasso – ‘Worldwide Break’)
Excellent Choreography for Scripted Programming – Jon Boogz, Choreographer (Blindspotting – ‘Routines: The Historical past’ / ‘San Quentin Blues’)
Excellent Casting for a Drama Sequence – The White Lotus
Excellent Casting for a Restricted or Anthology Sequence or Film – BEEF
Excellent Casting for a Comedy Sequence – The Bear
Excellent Interval Costumes for a Sequence – The Nice (‘Select Your Weapon’)
Excellent Fantasy / Sci-Fi Costumes – Home of the Dragon (‘The Heirs of the Dragon’)
Excellent Up to date Costumes for a Sequence – Wednesday (‘Wednesday’s Youngster Is Filled with Woe’)
Excellent Up to date Costumes for a Restricted or Anthology Sequence or Film – BEEF (‘The Birds Do not Sing, They Screech In Ache’)
Excellent Prosthetic Make-up – The Final of Us (‘Contaminated’)
Excellent Up to date Make-up (Non-Prosthetic) – Wednesday (‘Woe What A Night time’)
Excellent Interval and/or Character Make-up (Non-Prosthetic) – The Marvelous Mrs. Maisel (‘Susan’)
Excellent Visitor Actress in a Comedy Sequence – Judith Gentle as Irene Smothers (Poker Face – ‘Time of the Monkey)
Excellent Interval and/or Character Hairstyling – Queen Charlotte: A Bridgerton Story (‘Crown Jewels’)
Excellent Up to date Hairstyling – The White Lotus (‘Abductions’)
Excellent Stunt Coordination for a Drama Sequence, Restricted, or Anthology Sequence or Film – The Boys
Excellent Stunt Coordination for a Comedy Sequence or Selection Program – Barry
Excellent Stunt Efficiency – The Mandalorian (‘Chapter 24: The Return’)
Excellent Manufacturing Design for a Narrative Program (Half-Hour) – Solely Murders within the Constructing (‘Sparring Companions’)
Excellent Manufacturing Design for a Narrative Up to date Program (One Hour or Extra) – Wednesday (‘Wednesday’s Youngster Is Filled with Woe’)
Excellent Manufacturing Design for a Narrative Interval or Fantasy Program (One Hour or Extra) – Guillermo del Toro’s Cupboard of Curiosities
Excellent Particular Visible Results in a Season or a Film – The Final of Us
Excellent Particular Visible Results in a Single Episode – 5 Days at Memorial (‘Day Two’)
Excellent Predominant Title Design – The Final of Us
Excellent Movement Design – Ms. Marvel
Excellent Sound Enhancing for a Restricted or Anthology Sequence, Film, or Particular – Prey
Excellent Sound Enhancing for a Comedy or Drama Sequence (Half-Hour) and Animation – The Bear (‘Evaluation’)
Excellent Sound Enhancing for a Comedy or Drama Sequence (One Hour) – The Final of Us (‘When You are Misplaced within the Darkness’)
Excellent Sound Mixing for a Comedy or Drama Sequence (One Hour) – The Final of Us (‘When You are Misplaced within the Darkness’)
Excellent Sound Mixing for a Comedy or Drama Sequence (Half-Hour) and Animation – The Bear (‘Evaluation’)
Excellent Sound Mixing for a Restricted or Anthology Sequence or Film – Daisy Jones & The Six (‘Monitor 10: Rock ‘N’ Roll Suicide’)
Excellent Music Composition for a Restricted or Anthology Sequence, Film, or Particular (Unique Dramatic Rating) – Bizarre: The Al Yankovic Story
Excellent Music Supervision – The White Lotus (‘Bull Elephants’)
Excellent Unique Music and Lyrics – Ted Lasso (‘So Lengthy, Farewell / Track Title: A Stunning Sport‘)
Excellent Actor in a Quick Kind Comedy or Drama Sequence – I Suppose You Ought to Depart With Tim Robinson
Excellent Music Composition for a Sequence (Unique Dramatic Rating) – Cristobal Tapia de Veer, Composer (The White Lotus – ‘Within the Sandbox’)
Excellent Unique Predominant Title Theme Music – Wednesday (Danny Elfman, Composer)
Excellent Actress in a Quick Kind Comedy or Drama Sequence – Jasmine Man as Barbara Baldwin (Chronicles of Jessica Wu)
Excellent Image Enhancing for a Multi-Digital camera Comedy Sequence – Night time Court docket – (‘Pilot’)
Excellent Image Enhancing for a Single-Digital camera Comedy Sequence – The Bear (‘System’)
Excellent Image Enhancing for a Restricted or Anthology Sequence or Film – BEEF (‘Figures of Gentle’)
Excellent Image Enhancing for a Drama Sequence – The Final of Us (‘Endure And Survive’)
Excellent Cinematography for a Sequence (One Hour) – The Marvelous Mrs. Maisel (‘4 Minutes’)
Excellent Cinematography for a Sequence (Half-Hour) – Atlanta (‘Andrew Wyeth. Alfred’s World’)
Excellent Cinematography for a Restricted or Anthology Sequence of Film – Black Hen (‘Hand to Mouth’)
Excellent Visitor Actress in a Drama Sequence – Storm Reid as Riley Abel (The Final of Us – ‘Left Behind’)
Excellent Visitor Actor in a Drama Sequence – Nick Offerman as Invoice (The Final of Us – ‘Lengthy, Lengthy Time’)
Excellent Tv Film – Bizarre: The Al Yankovic Story
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Adam Bankhurst is a information author for IGN. You possibly can observe him on Twitter @AdamBankhurst and on Twitch.
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